Team:UNAM-Genomics Mexico/Bio-SintetizArte

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<h1>Welcome to the page dedicated to the Bio-Sintetizarte art exposition.</h1>
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=Información en Español=
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*Para la información en español de esta página da click [[Team:UNAM-Genomics_Mexico/Bio-SintetizArte/SpanishInformation|aquí]].
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*Para la convocatoria de Bio-SintetizArte da click [[Team:UNAM-Genomics_Mexico/Convocatoria|aquí]]
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'''ART is the universal language that permits us to express the invisible, the inexplicable, the intuitive, the inexistent. It presents itself as a way that helps us to diffuse the Synthetic Biology essence, but it goes beyond that, it takes place in this revolution when it transmits its message back to scientist and to the society.'''
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__TOC__
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We are more than delighted to present you with this branch of our Human Practices. Bio-Sintetizaste is dedicated to collect the perception of the participant artists about Synthetic Biology. This activity is designed to, progressively and in an evergrowing fashion, convey some concepts of Synthetic Biology.
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We called for the participation of local mexican artists to get creative and create some arte inspired by a reflection on Synthetic Biology. We also made the information on the topic available on a website and talk at the auditorium of our campus.
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We managed to obtain the space for the exposition in the museum "Casa de la Ciencia"(House of Science) in Cuernavaca through the Cultural Diffucion Office of the University. The inauguration is programmed for September 30th 2011 and the it will be in exhibition in the temporary exhibition room of the museum until October 28th 2011.
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With this temporary exhibition, where the description of the art pieces and the aspects of Synthetic Biology that led the artists to their creations will be featured, the diffusion of Synthetic Biology through attendance to the exposition will reach a high number of people.
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The art is the universal language that permits us to express the invisible, the inexplicable, the intuitive, the inexistent. It presents itself as a way that helps us to diffuse the Synthetic Biology essence, but it goes beyond that, it takes place in this revolution when it transmits its message back to scientist and to the society.
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__TOC__
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=The Relationship Between Art and Science=
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Looking back at the history of art we find that unlike the Platonic notion of art as imitation, where the work is valued and recognized by its resemblance to reality, it is today possible to work directly with that reality which used to be embodied on the canvas, namely it is no longer necessary to portray a social group or represent biological systems since it is feasible to work with society itself or to use these biological systems to create a piece of art.
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In the postmodern era, artistic disciplines break the boundaries and expand further to form hybrids of art and technology, science or anthropology, fusions that stand out. It is important to emphasize that art is a reflection of the events that occur in society and of the thinking that takes place at different times in history. 
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For this project it was decided to convene scientists, artists and interested public to reflect on synthetic biology through various artistic expressions. The exhibition features paintings, graphics, video, sculpture and installation.
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BiosintetizArte poses the diffusion of synthetic biology, and jointly with the visitor, a device is intended to be generated through the works, for the viewer to form his opinion, question and search more about the subject. This exhibition is expected to reach a broad audience of different ages, beliefs and professions.
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While art gives rise to the creation within a plane or in space, synthetic biology gives rise to the creation or modification of living things that may or may not have a utility to humans.
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=Bio-sintetizarte=
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The main topic of this collective exposition is the Synthetic Biology, emergent research and development area that pretends to make ingeneering with biological systems in a simple manner. In essence,  this new discipline has as its main pillars the design, the construction and the study of new functions and biological systems non existent in nature.
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This temporal exposition gather together the work of different artists and scientists that have created a work of art from imagining and meditating about what Synthetic Biology is for them, its principles, its grasps, its benefits, its risks, its consequences and any feeling that awakes in them before the world of possibilities that offers this new and exciting field.
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The spectator will take part of the presented works, as he will be able to inform and actively participate in the discussions and reflexions that surrounds the Synthetic Biology. He will be meeting with the possibilities and the reality of being able to intervene with the organisms and to modify them to achieve  any scientific or technologic objective.
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The art is the universal language that permits us to express the invisible, the inexplicable, the intuitive, the inexistent. It presents itself as a way that helps us to diffuse the Synthetic Biology essence, but it goes beyond that, it takes place in this revolution when it transmits its message to scientist and to the society.
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The artists that participate are: Amira Olvera, Elias Xolocotzin, Francesca Dalla Benetta, Héctor F. Medina, Libertad Pantoja, Yuridia Tamayo, Jach, Karina E. Rojas Calderón and  Daniel Cristoball / Daniel Ramírez.
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The exposition took place thanks to the colaboration with the UNAM Genomic Sciences Undergraduate Programme, the Difussion and Extension Unit of the National Autonomous University of Mexico campus Morelos and the House of Science of the Autonomous University of the State of Morelos.
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=The Exposition=
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==Art Work==
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In this section you will find a description of some of the art pieces in the expositon. These descriptions were written by authors themselves.
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*'''Libertad Pantoja'''
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*"Modulos" (Modules)
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The molecules within the cell for groups denominated modules. These can be formed by only one or several molecule species and very diverse elements that work together to give place to determined structures or functions.
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The modularity, as a property that delimits a group of elements that relates them for a process so they can produce signals to communicate with other modules in the cell, has to be deeply understood to make the biosynthetic systems work in the expected manner, giving place to the expected products without intervening with the rest of the cell's machinery.
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[[File:UNAM MX Libertad Pantoja.jpg|600px|center|thumb|Libertad Pantoja]]
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*'''Libertad Pantoja'''
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*"Señales" (Signals)
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Many of the signals that communicate in the microscopic world are not so different of the signals we use in our daily lives. They have their own code that allows them to be identified within the cell; eliminate messages when they are not necessary; or unite or combine elements that acquire different functions when they are together.
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Within synthetic biology one can play with these codes. It is possible to create, add or modify signals inside the microorganisms with which it can be altered or create diverse functions. This piece represents the modification of the small molecular parts that are inserted in a cell to enter in contact with the DNA and through this change its functionality.
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In this piece, such signals are represented as small parts of the molecules (In red) that allow them to enter into a cell compartment known as the nucleus; while the other portions (in green) are part of the factors that allow the external information with the DNA. The figures in the shape of the flower are the cell nucleus' pores: the barrier into which the molecules had to pass through and where the recognition happened before entering the nucleus. The orange ribbons are mRNA: signaling molecules that are the result of the communication between the external factors and the DNA.
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[[File:Senales_.jpg|600px|center|thumb|Signals]]
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*'''Héctor F. Medina'''
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*"Criaturas del hombre" (Creatures of Men)
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[[File:UNAM MX HM Thundercat.jpg|600px|center|thumb|HM Thundercat]]
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The point of the image is to showcase 3 elements.
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The first is a Warewolf, a creature engineered to please its owner. In this particular case, the being is simply a "ware" instead of a real Werewolf. As such, it is a commodity. It is supposed to fill in the perceived needs of the adolescent girl it's intended for: safety, security, dependency, loyalty, sex. It is supposed to merge the desirable traits of a wolf into a male body that exudes masculinity (through muscle, hair, & musk), while retaining the key elements of a humanized creature: accountability, intelligence, & resourcefulness. The Warewolf will not love the teenager, but it will what is expected of it, and through the deep desire to be "in the pack", will fall in line. It will respect the chain of command (i.e. the Father) as well as protect its charge from others (stereotypical teenage human males). Moreover, it will serve as emotional training ground for the teenage girl. Once the girl matures into viewing those attachments beyond "puppy love", the Warewolf will be worn into a pet. To prevent this, it dies, tragically fast (sudden telomerase failure), prompting the teenager to evaluate all emotional attachments as costly, and favoring an overprotective father's opinion that "no one is good enough for the little princess".
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The second element is a Thundercat. This creature is meant to serve as a plaything / companion for prepubescent teenagers. It is supposed to be intelligent, crafty, independent, yet playful like a cat. It should not be dependent on the child, but it should support  him/her or provide back up. It has much more lethal potential than the werewolf, yet it is much more controlled (think retractile claws). As such, it is the perfect companion for adventurous children. It will form strong attachments without showing them, and will seek the best for its charge. When not required, it will simply go amuse itself taunting the neighbor's dog or chasing a beaver... It will not require continuous attention, but will still appreciate it. Moreover, it serves as pest control. It lives for around 13 years, it's later 3 years characterized by a much more tranquil lifestyle (due to induced arthritis and increased bone density) that should correlate with the onset of adolescence and the "I don't care about the world" attitude. Then it dies, very fast. Sudden ribosomal failure.
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The last element is a brontosaurus. Originally a black iguana, supersaurus inserts were introduced into the genome until a viable creature emerged. In the purest "Jurassic Park inspired me", this creature is a chimera favoring phenotipically an ancient dinosaur, yet with intrinsic and core modern reptile characteristics. The goal of this creature is to provide exotic meet to specialty-diners, without raising moral questions about re-introducing extinct animals to modern environments. Originally it was intended to go to a recreational audience in the hunting business, but resurrecting extinct creatures for sport was deemed "inhumane". Therefore they are being resurrected for food. A $10,000 burger, but food nonetheless. Every precaution is being taken with these creatures, as the alarmist media was quick to point out the dangers: through mutation, a harmless 100 ton herbivore could yield a super-deadly 10 pound carnivore such as a velociraptor in few generations. Thus, the creatures are:
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a) designed to be genetically sterile,
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b) they are chemically sterilized in vitro,
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c) they are surgically sterilized after birth,
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d) are kept in isolation their entire lives,
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e) their corpses are burned by rocket engines,
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f) and their remains sent to the Sun.
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"BrontoBurgers R' Us" was the first restaurant to open with these products, and it opened in the Culinary Capital of the world: Paris. Ironically, since the french are the most outraged by the brontoburgers, the restaurant's exclusive clientele is exclusively international.
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*'''Amira Olivo Olvera'''
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*Video: "Synthetic Biology"
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<img class="sub_project"  alt="Bio-SintetizArte Image" src="https://static.igem.org/mediawiki/2011/a/ae/Aguila.png" title="Biosintetizarte">
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<p>Click aquí para ver la</p><h1 class="BSA_announce"><a class="HP" href="https://2011.igem.org/Team:UNAM-Genomics_Mexico/Convocatoria" style="text-decoration=underline">Convocatoria Bio-SintetizArte</a></h1>
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<div class="descriptive_text">
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<h1 class="BSA_announce">Plática Informativa</h1>
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<p>El día viernes 10 de Junio de 2011 a las 16:30 hrs. se llevará a cabo una plática informativa
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que tiene como objetivo dar al público en general una introducción sobre esta nueva ciencia:
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la Biología Sintética; así como contestar todas las dudas de la convocatoria.</p>
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<p>También nos complace anunciar que contaremos con la presencia de Edith Medina (1979, México DF),
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curadora y artista, cuyo trabajo explora los campos del cuerpo relacionados con el arte, la
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ciencia y la tecnología. Edith Medina es pionera en el campo del BioArte en México.</p>
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<p>Para conocer más sobre Edith y su obra, visita su <a class="HP" href="http://www.edmedina.blogspot.com/">página</a>.</p>
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<p>La plática tendrá lugar en el auditorio del Centro de Ciencias Genómicas que se encuentra
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situado en el interior del campus norte de la UAEM, Cuernavaca, Morelos. Para información
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sobre la ubicación haz <a class="HP" href="http://www.ccg.unam.mx/es/local">click aquí</a>.</p>
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<h1 class="BSA_announce">Ciencia y Arte</h1>
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<h1 class="BSA_header">Biología Sintética</h1>
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<p>La biología es el estudio de los seres vivos. A través del desarrollo de ésta ciencia y la
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tecnología nos ha sido posible conocer, cada vez a más detalle, de qué están compuestos
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los organismos vivos.</p>
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<p>La unidad básica de la vida es la célula: hay organismos pluricelulares como los humanos y
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también hay organismos como las bacterias que están constituidos por una sola célula. Lo
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que tenemos todos los organismos vivos en común, es que “las instrucciones” para nuestro
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desarrollo y funcionamiento se encuentran codificadas en el ADN.</p>
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<p>El genoma de un organismo es el conjunto de material genético (ADN) particular de su especie.
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Es en el genoma donde están los genes que dan origen a las proteínas necesarias para el
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organismo. Las proteínas son imprescindibles para la vida pues realizan una enorme cantidad
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de funciones: diferentes proteínas forman todas las estructuras, las enzimas promueven las
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reacciones químicas que se llevan a cabo en el organismo, las hormonas regulan la actividad
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de las células en distintas etapas de la vida, etc. </p>
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<p>A través del desarrollo de herramientas computacionales, de las matemáticas y de las nuevas
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tecnologías en los laboratorios podemos conocer cada vez más aspectos de los genomas de los
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organismos e incluso ir un paso más allá.</p>
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<p>La biología sintética es una disciplina en desarrollo, un área de la investigación biológica
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que combina la ciencia y la ingeniería. Está compuesta de dos premisas principales:<br>
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a) El diseño ingenieril de biomoléculas o sistemas biológicos con funciones nuevas, es decir,
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que no se encuentran en la naturaleza.<br>
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b) El re-diseño de sistemas biológicos u organismos ya existentes en la naturaleza para
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darles aplicaciones útiles.</p>
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<p>Al aplicar los principios de la ingeniería a la biología, el concepto de “parte” es
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importante, pues progresivamente se desarrollan estándares para la construcción de
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sistemas biológicos novedosos. Esta construcción se logra a tomando partes de sistemas
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biológicos naturales, caracterizándolas, simplificándolas y estandarizándolas para su uso.</p>
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<p>La filosofía de la biología sintética es constructivista al proponerse investigar cómo
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se pueden combinar partes independientes y estandarizadas para construir sistemas con
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comportamientos o características originales.</p>
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<h1 class="BSA_header">Arte y Bioarte</h1>
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<p>Comúnmente entendemos por arte aquel acto de creación y expresión del ser humano por medio
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de la manipulación de distintos materiales, imágenes o sonidos para trasmitir una idea o un
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sentimiento y así producir un efecto estético en otra persona. Es muy fácil asociar esta
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palabra con la belleza. Resultado de ello es la antigua división entre bellas artes y artes
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menores.</p>
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<p>En la actualidad el arte ha ampliado su definición al adelgazar los limites entre
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disciplinas artísticas, tecnológicas y científicas, generando un resultado multi, inter
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y transdisciplinario con una estética que no siempre corresponde a lo bello. Así al
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asistir a un museo de arte contemporáneo las obras exhibidas se pueden convertir en un
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dispositivo que invite al espectador a la reflexión.</p>
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<p>Un ejemplo es el BIOARTE, el cual se puede definir como un campo del arte contemporáneo
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que manipula el proceso de vida. Invariablemente emplea uno o mas de los siguientes
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enfoques:<br>
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-El uso de biomateriales  específicos en formas inertes o en funcionamiento.<br>
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-El uso de las herramientas y procesos de la biotecnología.<br>
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-La invención o transformación de organismos vivos con o sin integración social o al
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medio ambiente.</p>
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<p>Al respecto  Edith Medina escribe:<br>
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<i>El bioarte tiene como objetivo primordial borrar la línea entre la ciencia y el
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arte, así como generar interrogantes del avance de la misma sobre la forma humana y
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la vida en general. El material orgánico se convierte en la herramienta artística del
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bioartista, desde mariposas, plantas, genes y ADN, hasta piel humana, laboratorios,
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bioreactores, tubos de ensayo; de los cuales se toma posesión y se crean obras,
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modificando procesos históricos y culturales. Cabe mencionar que el Bioarte hace uso
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de la tecnología de su tiempo, y de esa manera evidencia el contexto histórico,
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social y político de la humanidad</i>.</p>
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<h1 class="BSA_header">Visita también:</h1>
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<p><a class="HP" href="http://syntheticbiology.org/FAQ.html">http://syntheticbiology.org/FAQ.html</a></p>
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<p><a class="HP" href="ftp://ftp.cordis.europa.eu/pub/nest/docs/syntheticbiology_b5_eur21796_en.pdf">
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ftp://ftp.cordis.europa.eu/pub/nest/docs/syntheticbiology_b5_eur21796_en.pdf</a>
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Kac, Eduardo (editor).  Sings of life. Cambridge, Massachusetts Institute of Tecnology. 2007.</p>
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<p><a class="HP" href="http://www.revista.unam.mx/vol.8/num1/art01/ene_art01.pdf">
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http://www.revista.unam.mx/vol.8/num1/art01/ene_art01.pdf</a></p>
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<h1 class="BSA_header">Reflexión</h1>
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<p>¿Qué sientes o imaginas al escuchar Biología Sintética?<br>
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¿Es peligroso?<br>
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¿Cómo imáginas el futuro con organismos diseñados por la biología sintética?<br>
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¿Qué impacto tiene la Biología sintética en la gente?<br>
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¿Qué esperas de la Biología Sintética?<br>
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¿Cómo resolverías algún problema actual con la Biología Sintética?<br>
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¿Qué inventarías tú?<br></p>
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From our nature to ask the reason of everything is that now we know and understand a lot of things about the world that surrounds us. And thanks to this understanding we have been able to control the surroundings to our benefits. However, in spite of the noted scientific and technological level that we have, there are still phenomena that are so complex that we can't fully understand or control them, in particular those regarding the living beings, in biology.
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In medicine we have seen a lot of breakthroughs in treatments, derived from a bigger knowledge and understanding of our organism, and also thanks to the advances in the technologies to treat diverse diseases and illnesses.
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The doctors want to cure the patients of all the wounds, until they are not visible anymore. For that, the synthetic biology is presented as a great tool and a world of possibilities. We hope to see that this discipline, together with the advances in genetics, epigenetics and medicine, offers us the capacity to control our genetic information, modify the way we respond to the environment and personalized treatments.
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*'''Elias Xolocotzin'''
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*"Bacteria Sonora" (Sound Bacteria)
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This piece makes an analysis about the created microorganisms, in this way it makes an allusion to synthetic biology. In this case the synthetically generated organism is an inexistent sound in nature, but at the same time it is originated from the modifications in the sound waves that travel in the air where it's combined with the sound frequencies of nature to generate a sound texture that is composed only by synthetic and nature sounds.
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This sound piece was developes during my internship at the Centro Mexicano para la Musica y las Artes Sonoras(CMMAS).
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The objective is to be able to generate an autonomous sound environment, where the sounds that inhabit it can be developed or die, as it happens in the environments and the organisms in nature, taking as a reference for the experiment the Darwinean Theory of Natural Selection.
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There are organisms that reproduce and the offspring inherits the progenitors characteristics, there are variations in the characteristics if the environment does not admit all the members of a growing population. Then the members with the less adapted characteristics (according to the environment) will most probably die. So the members with the better adapted characteristics will survive. Darwin, The Origin of Species based on the studies of natural selection by Darwin, I will develop the next sound project which will take into account the way in which the natural organisms are adapted to artificial organisms created by science and technology in such a way that the project will bring together analogous and digital elements and sounds in this new symbiosis between technology and nature.
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*'''Daniel Cristobal / Daniel Ramírez'''
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* "Anîma ∞"
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Anîma ∞ is born out of the interest to localize the position in the genetic code that give rise to human souls. There were elements identified that code for a protein denominated Anîma ∞. Using the molecular tools of synthetic biology, this protein was expressed and a method was generated for the detection of the souls in the living beings that express the protein Anîma ∞. Based in these results, we want in the future to combine the expression of the protein Anîma ∞to the generation of bioluminiscence for a better detection of the Anîma ∞ expression.
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*'''Francesca Dalla Benetta'''
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*"Insectos-utero" (THE UTERUS-INSECTS)
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[[File:UNAM_MX_Francesca_1.jpg|400px|center|thumb|http://www.francescadallabenetta.com]]
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The work I present on the occasion of the convening BIOsintetizARTE adheres to the second definition of synthetic biology: The redesign of biological systems or organisms already existing in nature to obtain useful applications.
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My proposal consists of 3 sculptures: three uterus-insects, which represent synthetic bio-incubators for life creation. Insects, transformed, synthesized and modified by technology represent a future scenario of how the adaptation of organisms could contribute to the creation of life, either producing autonomous living bodies (as in the case of the insects with fetuses) or anatomical parts (as the one containing a heart).
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It is a fascinating hypothesis and at the same time terrifying. On the one hand [we have] scientific progress  both extraordinary and important in the medical field, such as a response to the lack of organs in cases of transplantation, or to infertility. On the other hand [we face] something against our nature, against the very principle of life that generates other lives, almost a betrayal to the feminine nature of life and the figure of the "mother".
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This delicate balance is in the hands of human beings, once again, as is the hope that the use of synthetic biology leans towards its constructive opportunities and provides a positive new horizon for the future.
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*'''Jach'''
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*Video: "Biotech"
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All social system capitutales hopes, fears, the instinctive struggle for the existence, the biological question... these human instincts movilize methodically assimilating strengths and interests, from there every technological and commercial application... Our contemporary society has brought a better life style since the production of material goods creating a union and affirmation factor, but with the creationf of merchandise of easy access an unbalance has appear into the concepts and ideas that influence our conducts and the ways in which we perceive the everyday sense. The stock laws and the technological advances are ways of approval of the world betting for making products in a massive manner. The future of technology will be in function of the mankind and will achieve a certain degree if man releases himself from the utilitarianism as and end, worrying more in notions of liberty and knowledge.
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*'''Karina Erika Rojas Calderón'''
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*"La nítida simplicidad, Poética de la información" (The nitide simplicity, poetic of information).
 +
 +
 +
For the elaboration of this piece we obtained the information of 62 plants that belong to the center zone in our country, Mexico. This information was obtained in texts of people who live in localities of the state of Morelos and Mexico, and they have been working with specialists to keep the information from the ancesters through the oral tradition. This recopilation is in alphabetic order and it was included the scientific name, the latin terminology, the uses and the parts of the plants that are used.
 +
The information was translated into the Braille alphabet with a Braille translator software and it was printed. The result is a sheet with a clear structure, it looks with a certain natural beauty in their order and clarity, is a visual poem.
 +
The reason why I made this piece is the result of a reflexion, the importance of the information and the benefits of the difusion. Science has been derivated in a high knowledge, hermetic and complex, and sometimes it is too difficult for many of us, and if it is not well addressed to the benefit of the humans, sometimes although the difusion could be clear in their formal elements, the information is confuse.
 +
How can I understand the information that I need and it is vital, if this is a language completely unknown for me?
 +
This networks of information are broken if we do not know how to use it in the benefit of the humans.
 +
In my own point of view, the synthetic biology, and the general sciences shoud land the information -although the specificity and sofistification seems incomprehensible to result in something benefic in the near future- to obtain a better quality of life and to find posibilities and solutions to diseases,  although sometimes this reality looks something more close to the literature of fiction science.
 +
 +
 +
<br />
 +
*'''Yuriria Tamayo Irazoque'''
 +
*“Sobreintención" (Over-Intention).
 +
 +
 +
Walking in the field of the artistic creation, my interest and effort have been focused in the study, analysis and experimentation of the engraving process, esentially about the linoleum engraving technique.
 +
I started to experiment and resalting the search focused to my visual and ideologic passion and  referred to the superposition, and the constant evolution that this allows me. Using the abstraction, the styled and organic shapes, the transparence and the work with the linoleum as my main material, appears today the present proyect. Inside the experimentation there is something that motivates me in the practic to develop ideas that happened one after others, this is what it does that an artist never lose its originality. I consider that the graphic shows all these posibilities of expression and experimentation.
 +
That is why, I established the relationship between the synthetic biology, because this engravings means, inside me, a creative process where I am an experimentalist, I create and explore different alternatives, because I am not limited to engrave the plate as always is done, but I search a thousand of possibilities to extract from it, the reliefs and effects that intensify the structure of the initial design. With them, I create new patterns and processes that help my work to evolve. 
 +
Also my visual line is focused (particularly in this two engravings) in organic shapes; organic movements, life fluxes, evolution and fusion of the elements.
 +
I am inspired through the observation of the cells and the nature itself, because I know that they are complexes elements, and I am trying to catch up and interpret to my self to obtain new visual elements that born from my plates, these plates that I consider, they are tools of expression and study. Now is being clear for me that there is still a thousand of posibilities inside of the linoleum engraving to explore and that I am determined to assume in my work.
 +
 +
 +
[[File:Intencion.jpg|800px|center|thumb|OverIntention]]
 +
 +
 +
<br /><br />
 +
==Bio-sintetizArte at the Museum==
 +
<br />
 +
Museography<br />
 +
 +
Waiting for september 30th
 +
<br />
 +
[[File:Musa.jpg|400px|left|thumb|museum]]
 +
 +
[[File:Musb.jpg|400px|right|thumb|museum]]
 +
 +
[[File:Musc.jpg|400px|left|thumb|my new friend]]
 +
 +
[[File:Musd.jpg|400px|right|thumb|my new friend again]]
 +
 +
<br /><br />
 +
<br /><br />
 +
<br /><br />
 +
 +
<br />'''Announcement'''
 +
 +
All the work presented to Bio-sintetizArte must be original, property of the author and not under license, except those whose license could belong to others.
 +
Authors allow Biosintetizarte to reproduce the work of the artists total or parcially with a non-profit-making exhibition, just for publicity and documentation of the event.
 +
Biosintetizarte group and the UNAM-Genomics-Mexico iGEM Team are not responsable of violations to the author rights commited by the participants.
 +
}}
}}

Latest revision as of 05:31, 29 September 2011

UNAM-Genomics_Mexico


Welcome to the page dedicated to the Bio-Sintetizarte art exposition.



Información en Español

  • Para la información en español de esta página da click aquí.
  • Para la convocatoria de Bio-SintetizArte da click aquí



ART is the universal language that permits us to express the invisible, the inexplicable, the intuitive, the inexistent. It presents itself as a way that helps us to diffuse the Synthetic Biology essence, but it goes beyond that, it takes place in this revolution when it transmits its message back to scientist and to the society.


Contents



We are more than delighted to present you with this branch of our Human Practices. Bio-Sintetizaste is dedicated to collect the perception of the participant artists about Synthetic Biology. This activity is designed to, progressively and in an evergrowing fashion, convey some concepts of Synthetic Biology.

We called for the participation of local mexican artists to get creative and create some arte inspired by a reflection on Synthetic Biology. We also made the information on the topic available on a website and talk at the auditorium of our campus.

We managed to obtain the space for the exposition in the museum "Casa de la Ciencia"(House of Science) in Cuernavaca through the Cultural Diffucion Office of the University. The inauguration is programmed for September 30th 2011 and the it will be in exhibition in the temporary exhibition room of the museum until October 28th 2011.

With this temporary exhibition, where the description of the art pieces and the aspects of Synthetic Biology that led the artists to their creations will be featured, the diffusion of Synthetic Biology through attendance to the exposition will reach a high number of people.


The art is the universal language that permits us to express the invisible, the inexplicable, the intuitive, the inexistent. It presents itself as a way that helps us to diffuse the Synthetic Biology essence, but it goes beyond that, it takes place in this revolution when it transmits its message back to scientist and to the society.



The Relationship Between Art and Science


Looking back at the history of art we find that unlike the Platonic notion of art as imitation, where the work is valued and recognized by its resemblance to reality, it is today possible to work directly with that reality which used to be embodied on the canvas, namely it is no longer necessary to portray a social group or represent biological systems since it is feasible to work with society itself or to use these biological systems to create a piece of art.

In the postmodern era, artistic disciplines break the boundaries and expand further to form hybrids of art and technology, science or anthropology, fusions that stand out. It is important to emphasize that art is a reflection of the events that occur in society and of the thinking that takes place at different times in history.

For this project it was decided to convene scientists, artists and interested public to reflect on synthetic biology through various artistic expressions. The exhibition features paintings, graphics, video, sculpture and installation.

BiosintetizArte poses the diffusion of synthetic biology, and jointly with the visitor, a device is intended to be generated through the works, for the viewer to form his opinion, question and search more about the subject. This exhibition is expected to reach a broad audience of different ages, beliefs and professions.

While art gives rise to the creation within a plane or in space, synthetic biology gives rise to the creation or modification of living things that may or may not have a utility to humans.



Bio-sintetizarte


The main topic of this collective exposition is the Synthetic Biology, emergent research and development area that pretends to make ingeneering with biological systems in a simple manner. In essence, this new discipline has as its main pillars the design, the construction and the study of new functions and biological systems non existent in nature.

This temporal exposition gather together the work of different artists and scientists that have created a work of art from imagining and meditating about what Synthetic Biology is for them, its principles, its grasps, its benefits, its risks, its consequences and any feeling that awakes in them before the world of possibilities that offers this new and exciting field.

The spectator will take part of the presented works, as he will be able to inform and actively participate in the discussions and reflexions that surrounds the Synthetic Biology. He will be meeting with the possibilities and the reality of being able to intervene with the organisms and to modify them to achieve any scientific or technologic objective.

The art is the universal language that permits us to express the invisible, the inexplicable, the intuitive, the inexistent. It presents itself as a way that helps us to diffuse the Synthetic Biology essence, but it goes beyond that, it takes place in this revolution when it transmits its message to scientist and to the society.

The artists that participate are: Amira Olvera, Elias Xolocotzin, Francesca Dalla Benetta, Héctor F. Medina, Libertad Pantoja, Yuridia Tamayo, Jach, Karina E. Rojas Calderón and Daniel Cristoball / Daniel Ramírez.

The exposition took place thanks to the colaboration with the UNAM Genomic Sciences Undergraduate Programme, the Difussion and Extension Unit of the National Autonomous University of Mexico campus Morelos and the House of Science of the Autonomous University of the State of Morelos.



The Exposition

Art Work


In this section you will find a description of some of the art pieces in the expositon. These descriptions were written by authors themselves.


  • Libertad Pantoja
  • "Modulos" (Modules)

The molecules within the cell for groups denominated modules. These can be formed by only one or several molecule species and very diverse elements that work together to give place to determined structures or functions. The modularity, as a property that delimits a group of elements that relates them for a process so they can produce signals to communicate with other modules in the cell, has to be deeply understood to make the biosynthetic systems work in the expected manner, giving place to the expected products without intervening with the rest of the cell's machinery.

Libertad Pantoja



  • Libertad Pantoja
  • "Señales" (Signals)

Many of the signals that communicate in the microscopic world are not so different of the signals we use in our daily lives. They have their own code that allows them to be identified within the cell; eliminate messages when they are not necessary; or unite or combine elements that acquire different functions when they are together.

Within synthetic biology one can play with these codes. It is possible to create, add or modify signals inside the microorganisms with which it can be altered or create diverse functions. This piece represents the modification of the small molecular parts that are inserted in a cell to enter in contact with the DNA and through this change its functionality.

In this piece, such signals are represented as small parts of the molecules (In red) that allow them to enter into a cell compartment known as the nucleus; while the other portions (in green) are part of the factors that allow the external information with the DNA. The figures in the shape of the flower are the cell nucleus' pores: the barrier into which the molecules had to pass through and where the recognition happened before entering the nucleus. The orange ribbons are mRNA: signaling molecules that are the result of the communication between the external factors and the DNA.


Signals



  • Héctor F. Medina
  • "Criaturas del hombre" (Creatures of Men)


HM Thundercat

The point of the image is to showcase 3 elements. The first is a Warewolf, a creature engineered to please its owner. In this particular case, the being is simply a "ware" instead of a real Werewolf. As such, it is a commodity. It is supposed to fill in the perceived needs of the adolescent girl it's intended for: safety, security, dependency, loyalty, sex. It is supposed to merge the desirable traits of a wolf into a male body that exudes masculinity (through muscle, hair, & musk), while retaining the key elements of a humanized creature: accountability, intelligence, & resourcefulness. The Warewolf will not love the teenager, but it will what is expected of it, and through the deep desire to be "in the pack", will fall in line. It will respect the chain of command (i.e. the Father) as well as protect its charge from others (stereotypical teenage human males). Moreover, it will serve as emotional training ground for the teenage girl. Once the girl matures into viewing those attachments beyond "puppy love", the Warewolf will be worn into a pet. To prevent this, it dies, tragically fast (sudden telomerase failure), prompting the teenager to evaluate all emotional attachments as costly, and favoring an overprotective father's opinion that "no one is good enough for the little princess".

The second element is a Thundercat. This creature is meant to serve as a plaything / companion for prepubescent teenagers. It is supposed to be intelligent, crafty, independent, yet playful like a cat. It should not be dependent on the child, but it should support him/her or provide back up. It has much more lethal potential than the werewolf, yet it is much more controlled (think retractile claws). As such, it is the perfect companion for adventurous children. It will form strong attachments without showing them, and will seek the best for its charge. When not required, it will simply go amuse itself taunting the neighbor's dog or chasing a beaver... It will not require continuous attention, but will still appreciate it. Moreover, it serves as pest control. It lives for around 13 years, it's later 3 years characterized by a much more tranquil lifestyle (due to induced arthritis and increased bone density) that should correlate with the onset of adolescence and the "I don't care about the world" attitude. Then it dies, very fast. Sudden ribosomal failure.

The last element is a brontosaurus. Originally a black iguana, supersaurus inserts were introduced into the genome until a viable creature emerged. In the purest "Jurassic Park inspired me", this creature is a chimera favoring phenotipically an ancient dinosaur, yet with intrinsic and core modern reptile characteristics. The goal of this creature is to provide exotic meet to specialty-diners, without raising moral questions about re-introducing extinct animals to modern environments. Originally it was intended to go to a recreational audience in the hunting business, but resurrecting extinct creatures for sport was deemed "inhumane". Therefore they are being resurrected for food. A $10,000 burger, but food nonetheless. Every precaution is being taken with these creatures, as the alarmist media was quick to point out the dangers: through mutation, a harmless 100 ton herbivore could yield a super-deadly 10 pound carnivore such as a velociraptor in few generations. Thus, the creatures are: a) designed to be genetically sterile, b) they are chemically sterilized in vitro, c) they are surgically sterilized after birth, d) are kept in isolation their entire lives, e) their corpses are burned by rocket engines, f) and their remains sent to the Sun. "BrontoBurgers R' Us" was the first restaurant to open with these products, and it opened in the Culinary Capital of the world: Paris. Ironically, since the french are the most outraged by the brontoburgers, the restaurant's exclusive clientele is exclusively international.



  • Amira Olivo Olvera
  • Video: "Synthetic Biology"


From our nature to ask the reason of everything is that now we know and understand a lot of things about the world that surrounds us. And thanks to this understanding we have been able to control the surroundings to our benefits. However, in spite of the noted scientific and technological level that we have, there are still phenomena that are so complex that we can't fully understand or control them, in particular those regarding the living beings, in biology. In medicine we have seen a lot of breakthroughs in treatments, derived from a bigger knowledge and understanding of our organism, and also thanks to the advances in the technologies to treat diverse diseases and illnesses.

The doctors want to cure the patients of all the wounds, until they are not visible anymore. For that, the synthetic biology is presented as a great tool and a world of possibilities. We hope to see that this discipline, together with the advances in genetics, epigenetics and medicine, offers us the capacity to control our genetic information, modify the way we respond to the environment and personalized treatments.



  • Elias Xolocotzin
  • "Bacteria Sonora" (Sound Bacteria)


This piece makes an analysis about the created microorganisms, in this way it makes an allusion to synthetic biology. In this case the synthetically generated organism is an inexistent sound in nature, but at the same time it is originated from the modifications in the sound waves that travel in the air where it's combined with the sound frequencies of nature to generate a sound texture that is composed only by synthetic and nature sounds. This sound piece was developes during my internship at the Centro Mexicano para la Musica y las Artes Sonoras(CMMAS).

The objective is to be able to generate an autonomous sound environment, where the sounds that inhabit it can be developed or die, as it happens in the environments and the organisms in nature, taking as a reference for the experiment the Darwinean Theory of Natural Selection.

There are organisms that reproduce and the offspring inherits the progenitors characteristics, there are variations in the characteristics if the environment does not admit all the members of a growing population. Then the members with the less adapted characteristics (according to the environment) will most probably die. So the members with the better adapted characteristics will survive. Darwin, The Origin of Species based on the studies of natural selection by Darwin, I will develop the next sound project which will take into account the way in which the natural organisms are adapted to artificial organisms created by science and technology in such a way that the project will bring together analogous and digital elements and sounds in this new symbiosis between technology and nature.



  • Daniel Cristobal / Daniel Ramírez
  • "Anîma ∞"


Anîma ∞ is born out of the interest to localize the position in the genetic code that give rise to human souls. There were elements identified that code for a protein denominated Anîma ∞. Using the molecular tools of synthetic biology, this protein was expressed and a method was generated for the detection of the souls in the living beings that express the protein Anîma ∞. Based in these results, we want in the future to combine the expression of the protein Anîma ∞to the generation of bioluminiscence for a better detection of the Anîma ∞ expression.



  • Francesca Dalla Benetta
  • "Insectos-utero" (THE UTERUS-INSECTS)
http://www.francescadallabenetta.com


The work I present on the occasion of the convening BIOsintetizARTE adheres to the second definition of synthetic biology: The redesign of biological systems or organisms already existing in nature to obtain useful applications.

My proposal consists of 3 sculptures: three uterus-insects, which represent synthetic bio-incubators for life creation. Insects, transformed, synthesized and modified by technology represent a future scenario of how the adaptation of organisms could contribute to the creation of life, either producing autonomous living bodies (as in the case of the insects with fetuses) or anatomical parts (as the one containing a heart).

It is a fascinating hypothesis and at the same time terrifying. On the one hand [we have] scientific progress both extraordinary and important in the medical field, such as a response to the lack of organs in cases of transplantation, or to infertility. On the other hand [we face] something against our nature, against the very principle of life that generates other lives, almost a betrayal to the feminine nature of life and the figure of the "mother".

This delicate balance is in the hands of human beings, once again, as is the hope that the use of synthetic biology leans towards its constructive opportunities and provides a positive new horizon for the future.



  • Jach
  • Video: "Biotech"


All social system capitutales hopes, fears, the instinctive struggle for the existence, the biological question... these human instincts movilize methodically assimilating strengths and interests, from there every technological and commercial application... Our contemporary society has brought a better life style since the production of material goods creating a union and affirmation factor, but with the creationf of merchandise of easy access an unbalance has appear into the concepts and ideas that influence our conducts and the ways in which we perceive the everyday sense. The stock laws and the technological advances are ways of approval of the world betting for making products in a massive manner. The future of technology will be in function of the mankind and will achieve a certain degree if man releases himself from the utilitarianism as and end, worrying more in notions of liberty and knowledge.


  • Karina Erika Rojas Calderón
  • "La nítida simplicidad, Poética de la información" (The nitide simplicity, poetic of information).


For the elaboration of this piece we obtained the information of 62 plants that belong to the center zone in our country, Mexico. This information was obtained in texts of people who live in localities of the state of Morelos and Mexico, and they have been working with specialists to keep the information from the ancesters through the oral tradition. This recopilation is in alphabetic order and it was included the scientific name, the latin terminology, the uses and the parts of the plants that are used. The information was translated into the Braille alphabet with a Braille translator software and it was printed. The result is a sheet with a clear structure, it looks with a certain natural beauty in their order and clarity, is a visual poem. The reason why I made this piece is the result of a reflexion, the importance of the information and the benefits of the difusion. Science has been derivated in a high knowledge, hermetic and complex, and sometimes it is too difficult for many of us, and if it is not well addressed to the benefit of the humans, sometimes although the difusion could be clear in their formal elements, the information is confuse. How can I understand the information that I need and it is vital, if this is a language completely unknown for me? This networks of information are broken if we do not know how to use it in the benefit of the humans. In my own point of view, the synthetic biology, and the general sciences shoud land the information -although the specificity and sofistification seems incomprehensible to result in something benefic in the near future- to obtain a better quality of life and to find posibilities and solutions to diseases, although sometimes this reality looks something more close to the literature of fiction science.



  • Yuriria Tamayo Irazoque
  • “Sobreintención" (Over-Intention).


Walking in the field of the artistic creation, my interest and effort have been focused in the study, analysis and experimentation of the engraving process, esentially about the linoleum engraving technique. I started to experiment and resalting the search focused to my visual and ideologic passion and referred to the superposition, and the constant evolution that this allows me. Using the abstraction, the styled and organic shapes, the transparence and the work with the linoleum as my main material, appears today the present proyect. Inside the experimentation there is something that motivates me in the practic to develop ideas that happened one after others, this is what it does that an artist never lose its originality. I consider that the graphic shows all these posibilities of expression and experimentation. That is why, I established the relationship between the synthetic biology, because this engravings means, inside me, a creative process where I am an experimentalist, I create and explore different alternatives, because I am not limited to engrave the plate as always is done, but I search a thousand of possibilities to extract from it, the reliefs and effects that intensify the structure of the initial design. With them, I create new patterns and processes that help my work to evolve. Also my visual line is focused (particularly in this two engravings) in organic shapes; organic movements, life fluxes, evolution and fusion of the elements. I am inspired through the observation of the cells and the nature itself, because I know that they are complexes elements, and I am trying to catch up and interpret to my self to obtain new visual elements that born from my plates, these plates that I consider, they are tools of expression and study. Now is being clear for me that there is still a thousand of posibilities inside of the linoleum engraving to explore and that I am determined to assume in my work.


OverIntention




Bio-sintetizArte at the Museum


Museography

Waiting for september 30th

museum
museum
my new friend
my new friend again








Announcement

All the work presented to Bio-sintetizArte must be original, property of the author and not under license, except those whose license could belong to others. Authors allow Biosintetizarte to reproduce the work of the artists total or parcially with a non-profit-making exhibition, just for publicity and documentation of the event. Biosintetizarte group and the UNAM-Genomics-Mexico iGEM Team are not responsable of violations to the author rights commited by the participants.

Retrieved from "http://2011.igem.org/Team:UNAM-Genomics_Mexico/Bio-SintetizArte"